Devolution: A Firsthand Account of the Rainier Sasquatch Massacre by Max Brooks

 

Reviewed by Morgan

 

I am not a big fan of horror; I don’t like clowns, gore for the sake of gore, or zombies. To me, those topics aren’t exciting, and I have never found a story that does enough explaining or world-building to make it believable to me. The books I did try to read always left me with more questions about how everything worked rather than terrifying me. 

It wasn’t until I listened to Max Brooks talk about ideas, writing, and problem-solving on several different podcasts that I became interested in his work and somewhat scared of zombies. Listening to these podcasts, I learned that Max Brooks is dyslexic and that he found his love of reading through audio books, which explains why Max Brooks is known for his full-cast, exceptionally good audio books.

In his newest book, Devolution: A Firsthand Account of the Rainier Sasquatch Massacre, Max Brooks explores the relationship between humans, technology, and nature. Greenloop, a futuristic, “green-home”, utopian community is cut-off from the outside world by a volcanic eruption from the nearby Mount Rainier. Cut-off is meant literally here. How do humans survive in a community that relies solely on technology to do basic functions, and now, has no electricity? What happens when Sasquatch comes? 

A story about Sasquatch sounds cheesy. It is 100% terrifying and exciting. Max Brooks answers the what, when, where, and why questions that are necessary for any horror story to be convincing to an audience. Devolution is told through journal entries and interviews conducted by a journalist that is trying to uncover what exactly happened to the Greenloop community.  

I listened to the audio book through Tennessee READs and was blown away by the performances. The book is incredible, the audio book draws you in and you feel the emotions, anxiousness, and fear that the characters have. 

I even let out a little scream when the Sasquatch was first spotted, and no, that doesn’t ruin anything or spoil the book.

 

Morgan works in our Children's Department.  This is her first review for our Bookblog; we hope it is the first of many.

Read Harder Challenge

By Ambrea

This year, I decided to make a New Year’s Resolution:  I’m going to read more books and I’m going to read a wider range of books.  Thanks to the Read Harder Challenge of 2016 by Book Riot, I can do just that.  Book Riot, which caters to readers and writers and lovers of books, has published this challenge for a few years now, providing readers with 24 categories to help them broaden their horizons and dip their toes in a different genre.

For 2016, the list carries a number of interesting challenges, including:

·         Read a nonfiction book about science.

·         Read a book out loud to someone else.

·         Read a book originally published in the decade you were born.

·         Read a book under 100 pages.

·         Read a book that is set in the Middle East.

·         Read a book that was adapted into a movie, then watch the movie.  Debate which is better.

·         Read a play.

·         Read a book with a main character that has a mental illness.

The list has much more with some challenges proving more difficult than others, but it’s an entertaining way to jumpstart the reading year and read beyond the boundaries of one’s comfort zone.  I have a habit of slipping into paranormal and/or fantasy novels with a pinch of historical fiction and romance thrown in for a little variety; however, with the Read Harder Challenge, I’m branching out with books that I never would have found if I hadn’t decided to pick a book I wouldn’t normally read.

With the Read Harder Challenge, I’ve finished a number of new books and stumbled across some others that, while they won’t go on my challenge list, I’ve enjoyed for the pure pleasure of reading.  I’ve also managed to:

1.      Read a middle grade novel.

2.      Listen to an audiobook that has won an Audie Award.

3.      Read a non-superhero comic that debuted in the last three years.

For my middle grade novel, I completed Flora and Ulysses:  The Illuminated Adventures by Kate DiCamillo.  A fun little book with amusing illustrations, Flora and Ulysses was a pleasant discovery.  I admit, I picked it up for the simple fact that it had a squirrel on the cover—I mean, who would be enticed by a book that has a squirrel as a main character?—and finished it with an appreciation for DiCamillo’s work.

DiCamillo, who is also the author of Because of Winn Dixie and The Tale of Despereaux, weaves heart and wit into yet another children’s classic.  Flora and Ulysses caters to a younger audience, yes, but it’s accessible and enjoyable to read even as an adult.  It toys with more mature themes, like divorce and loss; however, it does so in a way that’s understood by children and appealing to parents.  It’s a good book with a good story—an odd story, but a good one, nonetheless.  Overall, I’m glad I read something out of the ordinary for me.

As for my audiobook requirement, I actually revisited World War Z by Max Brooks.  I originally listened to the audiobook simply because I loved World War Z, as can be attested by my previous review of Brooks’ novel, and I was intrigued to see what it would be like to listen to an audiobook with a full cast (especially since I discovered it featured Nathan Fillion, Martin Scorsese, and, of course, Mark Hamill).  It was a happy accident that I happened to stumble across an Audie Award winner from 2007.

I highly recommend actually listening to World War Z for fans of the novel.  Having a full cast makes World War Z a singularly entertaining way to spend a number of unhurried afternoons, folding laundry or walking a pet.  It’s still full of the same stories, the same diversity and detail that made it such a wonderful novel for me, but, now, I had the chance to actually listen to those stories and more fully imagine the characters behind them.

(In the interest of full disclosure, I will note that I think I picked up an abridged version of the novel.  I’m not positive if the abridged novel is the only one available, or if I simply couldn’t get my hands on a complete copy with ever chapter intact, but, regardless, I recommend finding a full copy of World War Z for the greatest effect.  My only complaint was that it left out a handful of my favorite chapters.)

Last, I picked up my non-superhero comic:  Lady Killer by Jamie S. Rich and Joelle Jones.  I picked up Lady Killer at my local comic bookstore on a whim, because I liked the cover (oddly enough) and I really liked the idea of reading about a housewife who worked part-time as a hired killer.  It was a fascinating dynamic that intrigued and, eventually, compelled me to pick up a copy for myself.

Josie Schuller is far from being a superhero.  She’s pragmatic, ruthless, and absolutely cold-blooded.  She’s a survivor, which means anything goes when it comes to protecting herself and her own (including her darling twin girls).  While I enjoyed the plot and the pace and the characters involved in Lady Killer, I also loved how Rich and Jones pulled from iconic fifties advertising, making the novel as historically accurate as possible and rendering the story with beautiful illustrations.  It’s terribly gory, I admit, but such careful attention to detail and quality made me fall in love with Lady Killer.  It’s probably one of the best comics that I’ve read within the last year—and it might simply be one of the best I’ve ever read.  Period.

For more on the Read Harder Challenge of 2016, check out www.bookriot.com.

Note:  We will be updating Ambrea's progress on the challenge throughout the year.  If you decide to participate, please let us know in the comments section!

World War Z by Max Brooks

Reviewed by Ambrea

As the greatest conflict in history, the “Zombie War” changed the world and everyone in it—and one man is intent on retelling the memories of those days, preserving history that may one day be forgotten.  He begins his interviews at the start what history now knows as “The Crisis” and follows the narrative thread from one country to the next (China, America, South Africa, England, Israel, and even Antarctica), until the present day when humanity is no longer faced with extinction from the walking dead.

Admittedly, I’m not much of a fan of zombie lore.  I rarely read books about the walking, shuffling creatures that haunt so much of primetime television, but I became absorbed into World War Z for the simple fact it isn’t your typical zombie horror story.  The author, Max Brooks, creates a series of interweaving interviews, providing a narrative that stretches across all of human existence and experience.  Not only do readers have the opportunity to witness different stories, we have the chance to see what happens in different parts of the world and how various countries encounter the same threat.

World War Z is fascinating and inventive.  I mean, the novel answers questions I didn’t even know I might have about a zombie apocalypse.  For instances, what happens to astronauts trapped on a space station?  Do zombies float—or do the sink and walk on the ocean floor?  Can a person fool a zombie and get away with walking in their midst?  And what happens to the global economy after everything goes kaput?

Brooks answers all these questions and more, providing an amazing breadth and depth to his novel that, confidentially, I didn’t expect.  Although I never did receive a complete explanation as to how zombies were first created or where the apocalypse really begins (there’s plenty of supposition between characters, so I wasn’t completely left in the dark), World War Z is so fully comprehensive in its examination of the Zombie War that I never noticed it lacking.

Truth be told, World War Z is probably one of my favorite books.  There is, of course, the requisite amount of gore and human desperation—murder, cannibalism, suicide, genocide, zombie carnage and so forth—but it tells a story of survival, recovery from a wound that’s incredibly deep.  It shares a dystopian future guaranteed to give a reader chills, but it manages to weave a story that’s intricate, extraordinary, and vaguely hopeful.