Reviewed by Jeanne
I have been trying to
find a way to do a decent review of this book, but it has been a struggle. Not because I didn’t like it—spoiler alert, I
loved it!—but because like many of Helen Brown’s books it isn’t something you
can sum up in a quick tag line. Oh, you
could, but to do so would be to miss the depth and nuances which I love and
which make all her books instant “must reads” for me.
Helen is twelve years
old in 1966, growing up in a small town in New Zealand. Her father is an engineer, a champion of
using natural gas which is not an easy sell.
Her mother is devoted to theatre and the arts, a mercurial personality who
throws herself into preparing for local theatrical productions. Helen has two older siblings, a sister who
has at times been more maternal than her mother, and a brother who is a budding
taxidermist. Helen sometimes feels lost and unnoticed. She doesn’t seem to fit in. She struggles in
school, is teased as “Helen the Melon,” and is facing eye surgery.
Then one day her father
takes her to pick up a scraggly kitten, sole survivor of a litter. Helen names him Mickey but has to hide him
from her mother who dislikes cats. To
Helen’s dismay, Mickey seems disinclined to accept her overtures of friendship
and instead promises to upend the household.
It’s up to Helen to keep Mickey alive and a secret.
It seems strange to
think that a girl in New Zealand would have all that much in common with a girl
growing up in Appalachia, but there were so many times that I totally related
to what was going on in Helen’s life. While I didn’t see atomic bomb tests on
nearby islands, I certainly remember packing sandbags against basement windows
and the old atomic signs to show us where to hide in the school in case of
nuclear war. Figuring out who your
favorite Beatle was, the benign neglect of parents who let you explore and play
without direct supervision, and trying to fit in among your peers is all
familiar territory. So many half-forgotten memories appeared as I read this
book that I would have to stop and ponder.
While most of her books
revolve around a cat—Cleo, Jonah, or Bono, previously—it’s a mistake to dismiss
them as “just a cat book.” Not that I have anything against cat books! It’s why
I picked up Cleo all those years ago.
But Helen’s books are more than the story of one individual cat; they
are mediations on the human experience.
Most of all, Helen
Brown has the gift of storytelling, of describing scenes so vividly that the
reader can almost see them. She also knows how to find that point of connection
between people and make different experiences relatable, and has a delightful
sense of humor. I have always found
reading her books to be like talking with an old and dear friend, and this one
is no exception.
I now want to go back
and re-read her other wonderful books, Cleo: The Cat Who Mended a Family;
Cats and Daughters: They Don’t Always Come When Called; Bono; and
her novel, Tumbedown Manor. I know there will be laughter, tears, warmth,
and love.
No comments:
Post a Comment