Reviewed by Ambrea
Superman fights for
truth and justice—but why? What drives a farmboy from Kansas to become
one of the mightiest superheroes in the world? In Superman:
Birthright, Mark Waid and company attempt to answer that question by
telling the origin story of the Man of Steel in an all new way, drawing
together pieces of his fabled history and brand-new stories that shine a
different light on Clark Kent, Lex Luthor, Lana Lang, and others.
When I see a comic book
with Mark Waid listed as one of the writers, I automatically pick it up and
check it out. I instinctively know his work will be great—I mean, he
wrote my favorite arc of Daredevil, Kingdom Come, the
new Archie comics, Irredeemable and Incorruptible.
He has yet to disappoint me—and, truthfully, Superman: Birthright lived
up to my expectations.
Although I found it a
bit surreal to dive into Superman’s past, as I’ve mostly read comics about his
career as the world’s greatest superhero, I was pleasantly surprised by how
much I enjoyed the story. In Birthright, Waid introduces the
idea that Lex Luthor and Clark go way back—and I mean way back—and
further tangles their lives, creating an incredibly complex relationship that
goes beyond the good versus evil, hero versus villain dynamic.
Moreover, Waid touches
upon the idea that Superman is not, in fact, perfect or infallible. In so
many comics, Superman is like the golden boy of superheroes—he can do no wrong,
he always does the right thing, and he never messes up or loses. In Birthright,
Superman doesn’t just come onto the scene and gain immediate acceptance.
People don’t trust him; they have reservations and they ask questions, like
“Who is this guy? Why is he here? What does he want?” There’s
a lot of distrust toward him, especially after Lex gets his hands on pieces of
Kryptonian technology.
I loved that Waid and
company added so many layers to Clark’s character. Superman has been
labeled a Boy Scout for much of his career, so I loved seeing different sides
of his personality. I liked seeing him as a person, not a
caricature. He can be hurt—not physically, of course, but
emotionally. He has been shaped by his experiences (not all of them good)
and yet he still chooses to do good, he chooses to be good.
I really liked that
about him.
I was also intrigued by
how Waid fleshed out his powers. Oh, he has all the same ones that
everyone knows: he can run faster than a speeding bullet, he can leap
tall buildings in a single bound, he can fly, and he can’t be harmed by any
conventional weapon. He’s exactly the same superhero everyone knows and
loves, but he has the added benefit of being able to see life.
I don’t mean recognize it and/or treasure it; I mean, he can literally detect
the life force within a person—and he can see it leak away when they die.
Superman’s vow to
protect people takes on a whole new meaning when you realize he’s a witness to
life and death in this way. He can see the exact moment someone or
something dies. He sees a void where something bright and beautiful had
once been, and he can’t bear the thought of seeing it happen when he knows he
can do something about it. It gives his promises a lot more meaning, in
my opinion, and it makes more sense as to why he pushes himself to protect
people even when they don’t believe in him—even when the easier course would be
just to give up.
Overall, I loved Superman:
Birthright. I can honestly say it is my favorite Superman comic of
all time. Don’t get me wrong, I still love Red Son by
Mark Millar, which has held top spot in my heart when it comes to Superman
comics, and I really enjoyed American Alien by Max Landis;
however, Birthright feels special and it resonates in a
different way. It humanizes Superman, makes him a superhero that readers
can really understand and enjoy.
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