Reviewed
by Christy H.
Jennifer Donnelly’s Tea
Rose series, which began with The Tea Rose in 2002, is a sweeping
historical fiction epic in every sense of the word. Crossing continents and
spanning years, lost love and found love, it’s probably not for fans of instant
gratification. The last in the series is
no exception.
The Wild Rose begins in 1914
and continues throughout World War I and beyond. While there are several
compelling storylines, the heart of the novel is Seamus Finnegan, the youngest
of the Finnegan brood, and Willa Alden. (Each book chronicles one of the
Finnegan siblings in a mostly stand-alone story. While reading in order may
make a reader appreciate character cameos and side plots a little bit more,
it’s not necessary. Donnelly does a deft job of explaining – or in my case
refreshing – the Finnegan family history.) Willa and Seamus haven’t seen each
other for many, many years. Not since Willa lost one of her legs in a mountain
climbing accident. Losing the ability to climb almost broke Willa, and she
often thinks she would rather be dead than unable to climb and explore. Seamus
saved her life, and she couldn’t forgive him for it. Unfortunately, more
heartache awaits them both.
Actually, there is plenty of
heartache to go around for all of Donnelly’s characters – and there are quite a
few of them too. Along with the Finnegan siblings and their children, there are
so many new characters I had some trouble keeping up with them. Fortunately, I
found all the side plots interesting even if I sometimes couldn’t remember
names. A lot of times with similar books there is always at least one subplot
where readers feel disappointed when the narrative shifts back to it because
they just don’t care. That didn’t happen here. There is so much going on that
it is almost difficult to summarize but I will say this novel includes suffragists,
espionage, deadly sandstorms, the underbelly of London, train explosions, a flu
epidemic, and even the dreaded Love Triangle. And while the latter is not one
of my favorite tropes, I have to say I was never bored. (And to Donnelly’s
credit, she does not try to vilify the third wheel in the triangle just to make
it easier for readers to root for the other two. Instead, the character is a
kind and courageous woman who is easy to like and empathize with.)
There were a few contrived plot
devices that conveniently helped solve some problems and some of the dialogue
felt, at times, unnatural; overall, though, I really enjoyed this novel. The
pacing is never rushed but it never seems to drag either. Not an easy feat for
a book with over 600 pages. As always, I look forward to Donnelly’s future
offerings.
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