Reviewed by Brenda G.
Grace is a 24-year old wife in a loveless marriage with
two small children, who finds herself pregnant with a third. The story opens
with a wet spring that is followed by a lingering drought of a summer and fall.
Nature provides the setting for the first major event of the story, a wildfire
that occurred in 1947, burning through eastern Maine to the coast. The men are
called away to build firebreaks, which the fast-moving fire jumps as it moves
on toward the shore.
Awakened by her young daughter’s screaming horror of the
approaching fire, now only a block away, Grace is determined to save herself
and her children. Taking the children and little else, she heads directly for
the ocean. There she finds her friend and neighbor Rosie with a canoe and her
own children. Grace takes charge, directing Rosie to shove the canoe out into
the water, wet her own hair and that of the children, and finally to dig into
the sand at the water’s edge, remaining partially submerged, to save themselves
and their children. It works! But it is Maine in October, and they are not
found until the following morning.
After recovering from hypothermia and a resultant
miscarriage at five months, Grace must learn to cope on her own. No one knows
the whereabouts of her husband Gene or if he survived the fire. She has two
young children to feed and house. All insurance papers were lost in the fire,
and she knows nothing about the insurance they held. Friends take her in
initially. She must learn to drive, find a job, and find a place for her mother
and children. She proves to be impressive and resourceful, now that she is on
her own.
The story cannot help but remind one of the wildfire in
the Gatlinburg area in 2016 and how rapidly it spread. The 1947 wildfire in
Maine claimed 16 lives; Gatlinburg’s fire claimed 14. Heroic tales of escape
and survival emerged from both fires, as did tragic tales of loss. Though this
tale is fictitious, the setting and the real wildfire provide a quick point of
relevance for area residents, a touchstone of a sort.
The writing style is similar to that of the late Maeve Binchy,
being rather spare but wholly satisfying. Shreve writes from third person
limited, with Grace as the main character and narrator. Grace, who finds vast
reserves of strength and resolve once she is forced from her traditional role
of a dutiful homebody by the impact of a wildfire, is a satisfactory and
convincing heroine.
Shreve, Anita. The Stars Are Fire. New York; Alfred A.
Knopf, 2017. 241 pages.
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