Reviewed by Ambrea
London
has a terrible problem on its plate:
ghosts. In recent years since the
Problem arose, all manner of haunts, spirits, specters, ghosts and ghouls have
popped up across the country—and their touch is absolutely deadly. Only young people have the psychic abilities
to see and eradicate these supernatural creatures, and many psychic
investigation agencies—many of them populated by children with these unique
gifts—have appeared to handle the dangerous, often-deadly work of destroying
these restless spirits.
Together
with Anthony Lockwood, leader of the motley Lockwood & Co., George Cubbins,
Lucy Carlyle uses her talents to protect vulnerable adults and put ghosts
away. But after a grisly discovery leads
to a disastrous end, Lucy, Anthony, and George are forced to take part in a
perilous investigation at Combe Carey Hall, one of the most haunted houses in
England, if they hope to save Lockwood & Co.—that is, if they can survive
the night.
Like
Jonathan Stroud’s Bartimaeus series, Lockwood
& Co. is an intriguing and inventive series with fleshed out
characters, a wonderfully charismatic narrator, interesting plot twists, and a
curious mixture of myth, magic, and paranormal critters. Although it took me a couple of chapters to
fully sink into The Screaming Staircase,
I was hooked by the end of their first assignment—and I thoroughly enjoyed
following the cases of Lucy, Anthony, and George as they struggled to recoup
their losses and survive another day.
Speaking
of Lucy, I’ve found she makes a wonderful narrator. She’s snarky and sarcastic, equal parts
entertaining and fascinating as readers plumb the depths of her abilities and
learn of her history. Like her
colleagues, Anthony and George, Lucy can see and sense ghosts; however, she has
a singularly special talent that sets her apart: she can hear and communicate with ghosts, as
well. Her powerful talents and her
unusual sensitivity to ghosts make her unique, even among her peers, but it
also makes her an intriguing narrator.
Moreover,
I was constantly struck by the inventiveness of Stroud’s novel and the series
as a whole. It thought the “ghost-touch”
was an interesting concept (and, admittedly, rather frightening), and I was
fascinated by the whole mythos surrounding ghosts. It’s interest to see the ways in which
society adapts to accommodate ghosts and all the dangers they present, to see
the dynamics of society shift as children become embroiled in the conflict and
become key figures in protecting the living.
I
suppose I should confess, however, that I do not actually like ghosts.
For
some reason, the concept of ghosts freaks me out, so much so that I simply
can’t watch The Poltergeist or Paranormal Activity—or, heaven forbid, It—without spending the rest of my evening
prancing around like a frightened cat.
And, while The Screaming Staircase
is fairly mild, I still found it eerie, unsettling, and, confidentially, a
little bit frightening.
Maybe,
it’s because I don’t like ghosts; maybe, it’s because I’m susceptible to
frightful things; maybe, it’s because Stroud is such an excellent writer that
he has a way of conveying a proper sense of horror and describing terrifying
things. Either way, I frequently found
myself reading during the daylight hours and flipping all the lights on in my
bedroom to combat the eerie feelings of impending doom.
Note: Since it 'tis the season, we'll be running more posts featuring books or films with a bit of shiver to them. This is our version of a Halloween treat!
Note: Since it 'tis the season, we'll be running more posts featuring books or films with a bit of shiver to them. This is our version of a Halloween treat!
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