Reviewed by Ambrea
Sydney
is used to being invisible. Her brother,
Peyton, is like the sun in her family’s little universe—bright, iridescent, and
undeniable—and Sydney has grown accustomed to living in his shadow and the
benign indifference of her parents. But
when Peyton is involved in a drunk-driving accident that leaves a boy crippled
and her family reeling, Sydney feels like her entire world is falling apart and
she can’t help worrying about her tenuous hold on her family, especially when
her brother’s friend Ames enters the picture and focuses all their energy on
Peyton.
But
when Sydney meets the Chatham family, she finds herself drawn into their
chaotic but strangely wonderful world—and she finds herself being actually seen for the first time. She quickly befriends Layla, a bubbly,
effervescent would-be fashionista who constantly falls for the wrong guy, and
her incredible family. Even Mac, Layla’s
older brother, becomes an integral part of her life as she copes with her
brother’s crime, her parents’ forgetfulness, and Ames’ uncomfortable
attentions.
After
reading one of Sarah Dessen’s previous novels (Just Listen, for the curious minds), I wasn’t particularly
impressed. Like my first encounter with
Nicholas Sparks, my introduction to Sarah Dessen did not go well. Don’t get me wrong, I liked her novels, but I didn’t love them. She fell into a familiar category of
good-but-not-great young adult books I toss aside once I’ve finished. However, Saint
Anything immediately revised my opinion.
Sydney
is a complex, but oddly compelling character.
I enjoyed following her narrative as she coped with her brother’s
incarceration and Ames’ unwanted (albeit creepy) attention, as she discovered
new friends and forged new relationships.
I liked watching her grow as a character, weathering storms, struggling
with her tumultuous relationship with her mother—and, more importantly,
managing to define herself once she slips out from her brother’s shadow. Her ordeal is heart-wrenching, especially
when Ames is involved.
And,
speaking of Ames, I want to state for the record that I simply couldn’t stand
him. Any time he appeared in the story,
I had an immediate feeling of apprehension mixed with revulsion. He was a predator in more ways than one by
leeching off of the generosity of Sydney’s family, playing upon their grief and
their belief in him as a friend to their beloved Peyton, and preying upon
Sydney who consistently seems to fall at the periphery of her
parents’—specifically her mother’s—concern.
I always hated the sense of foreboding that came up in the novel when he
appeared, and I don’t know why Sydney’s parents couldn’t (or wouldn’t) see it.
Despite
Ames marring the story, Saint Anything was
a wonderful book. Complex but not
overwhelming, it’s a lovely book about love and friendship, mother-daughter
relationships and self-realization. Most
of the characters I encountered felt realistic and wonderfully tangible; the
story felt real, incredibly plausible; and the plot moved at a pace I could
enjoy. Dessen’s novel had an
authenticity, a realism to it, that I didn’t expect but thoroughly
appreciated. More importantly, it packed
an emotional punch. I enjoyed Saint Anything much more than I expected,
and I’m glad I took the opportunity to give Dessen’s work a second chance.
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