Reviewed by Meygan
“No,
darling! To die, it’s easy. But you have to struggle to live! Until the last
moment we must struggle together! I need you! And you’ll see that together
we’ll survive. This always I told to her.”
In his autobiographical book, Maus, Art Spiegelman uses his relationship with his father and his father’s past to create an amazing work.
Spiegelman’s father, Vladek, is a holocaust survivor and that experience
has deeply affected his life and that of his son. Vladek is quite the character
and the book’s comic relief comes in the form of father and son bickering about
everything: when Vladek should take his medicines, how often Art should come to
visit his father, Vladek’s new wife, and the list goes on and on. The book flashes back and forth between past
and present but is done smoothly and with perfect timing. Vladek begins by
telling Art about how he met Anya, Art’s mother, and how profound their love
was. Anya’s parents were extremely wealthy, so Art and Anya were under the
impression that they would be well taken care of. However, even the wealthiest
people couldn’t escape the Nazi’s clutches. Vladek and Anya both escape the
ghetto they were forced to live in, frightened about what their next move will
be. They endure starvation, harsh weather conditions, and constantly have to
watch their every move so they are not spotted for being Polish Jews. While
book one does not end well for Vladek and Anya, book two takes on a more
sinister twist.
So what made me read this? Well, Maus was a required reading when I was
an undergraduate student. I read the first one, but not the second. I admit I was a little surprised with I first
picked it up because it was in a graphic novel format. That ended up being one
of my favorite parts about the book, the unusual way he uses to tell his
father’s story. He uses different animals to represent races
(Jews are mice, Nazi’s are cats, French are frogs, Pollocks are pigs, and
gypsies are moths). I was curious as to why Spiegelman did this, assuming that
perhaps he used animals so his father’s tale wouldn’t appear as distressing to
readers (after all, the book had to sell). But I found a better opinion on
Shmoop.com. Spiegelman used mice to represent how Jews were viewed as pests,
how cats/Nazis were the predators, and the pigs were used because Nazi’s often
referred to Pollocks as pigs.
Spiegelman does a superb job of establishing the
emotional attachment from the reader to the characters. The book can be quite
grueling, but there is some humor to make it easier. I appreciate Spiegelman’s
honesty about how difficult it is to be a child of a holocaust survivor and how
difficult it is to be a father of a child who doesn’t know the first thing
about being a holocaust survivor. The
two different aspects complement one another in Maus. After reading both
books, without hesitation I would place Maus
in my top 20 of all time. I was disappointed to see that there isn’t a book
three because I did have questions that weren’t answered, but perhaps Vladek’s
story was better left as is.
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