Reviewed by Jeanne
Private investigator Helen Hawthrone has been hired to shelve
books at her local library. Actually,
that’s just a cover: she’s actually searching for a small watercolor painting
thought to have been in a book that was part of a donation to the library, one
among hundreds and hundreds of books.
The painting is actually a John Singer Sargent original and worth up to
a million dollars, which is why Helen isn’t the only one searching. There’s also the matter of the library ghost. . . .
Meanwhile, Helen’s investigator partner and husband, Phil,
is busy posing as a gardener at a local estate. A valuable necklace and a golf cart have
gone missing, and the family is sure one of the servants is to blame.
This was my first foray into the Dead-End Job Mystery series.
A friend had recommended it, assuring me there were cats. Cats are my fall-back, in case I don’t care
for plot or characters. In this
instance, while the cats were welcome, they weren’t the only reason to enjoy
the books. Helen and Phil are an
adorable couple, very much in love, but also smart and competent. They put me
in mind of Nick and Nora Charles or Jennifer and Jonathan Hart: romantic banter
but the partners are equal, and there’s a real mystery (or two) to solve. There’s a selection of returning supporting
characters, my favorite being Margery Flax, their landlord and friend who
presides over her tenants like an eccentric aunt.
The suspects and motives were well defined, and I like the
methodical and professional way that the two investigators go about their
business. That was something I didn’t
realize I’d missed while reading a slew of cozies: people who have a plan,
instead of characters more or less waiting around for a clue to show up.
The part that I enjoyed
most was the background setting. Her
descriptions of how a library works ring true:
for example, the eternal debate whether to shelve series alphabetically
by title or numerically, by series order.
It’s a small thing, but it tells me that Viets has done her research and
gives me confidence in areas I don’t know well, such as how one would get rid
of a hot golf cart. I even looked up
Sargent’s watercolor alligators and highly recommend others do the same: they
are indeed lovely.
Another point in the book’s favor was the shrewdly observed
social commentary. There are the usual
class distinctions, but with a Florida twist that includes the “old families”
vs. residents vs. seasonal residents.
The problem of homelessness comes up as well and is considered in an
even-handed manner.
This particular book even had a bonus cat, in addition to
the series regulars. Paris is the library cat whose proposed ouster causes a
ruckus similar to ones I’ve heard about from other libraries. (Browser the
library cat was one of the more recent ones.)
I will definitely be reading more in this series.
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