Reviewed by Ambrea
The Gap of Time by Jeanette Winterson retells one of Shakespeare’s
classic plays, The Winter’s Tale, and transports readers from the
mythical coast of Bohemia to the sprawling modern metropolis of London. The year is 2008, Leo and his beloved wife, Hermione
(MiMi), are happily married and set to welcome their new baby into the
world—except Leo isn’t so happy, and he doesn’t believe this baby belongs to
him. In fact, he’s dead set against
raising a child that he believes belongs to his traitorous best friend.
Meanwhile, after the dust
settles and Leo’s duplicity tears apart his life, Shep and his son, Clo, discover
a tiny baby named Perdita left out in the rain.
Making a spur-of-the-moment decision, Shep decides to adopt her into the
family—and his choice will forever change the course of their lives as young
Perdita grows and learns of her startlingly tragic heritage.
The Gap of Time was an intriguing novel. Part tragedy, part redemption, The Gap of
Time does a fair job of transporting Shakespeare’s play to the modern
era. It conveys all the conflict, all
the tragedy and love and joy and hurt of The Winter’s Tale, but it also
gives his iconic characters a little more color, a little more depth, which I
enjoyed.
And, speaking of characters, I really want to mention Shep.
Aside from Autolycus, who is
basically a crooked car salesman with a heart of gold, Shep is probably my
favorite character. He has this gentle,
genuine quality to him that I appreciated the more I got to know him (and other
characters), and he has such a wonderful narrative. For instance, in the first chapter (if it can
be called a chapter), Shep details the tragedies that have beset him and he
tells readers how he happened across Perdita.
Yes, I found his thoughts were rather tangled up with the past, caught
up in the regrets that plague him and the memories that haven’t quite settled;
however, his narrative is heavy with emotion and purpose. It has a lyrical quality to it that makes his
words sound absolutely beautiful.
I loved the way he describes his first encounter with
Perdita, how he describes his out of body experience of finding the baby and
knowing, just knowing she
was in his life for good: “I realise without realising that I’ve got the
tyre lever in my hand. I move without moving to prise open the hatch.
It is easy. I lift out the baby and she’s as light as a star.”
Or when Shep decided, in one moment the importance of this
child in his life—and recognized the impact of important moments:
“The cars come and the cars go between me and my crossing
the street. The anonymous always-in-motion world. The baby and I
stand still, and it’s as if she knows that a choice has to be made.
“Or does it? The important things happen by chance.
Only the rest gets planned.
“I walked round the block thinking I’d think about it, but
my legs were heading home, and sometimes you have to accept that your heart
knows what to do.”
His lines are, by far, the best found in the book.
On the opposite side of the spectrum is Leo, Perdita’s
biological father. Personally, I
hated—yes, hated—Leo. Leo never seems to understand what he did
wrong. I mean, sure he’s remorseful for his actions after they destroy
the lives of so many (his wife, his daughter, his best friend, his son, and his
own), but, even after the nuclear fallout has settled, he doesn’t quite seem to
grasp that his actions—his jealousy, his vindictive attitude, his sense of
superiority, his abject cruelty—is what drove everyone he loved away and
resulted in so many heavy casualties.
At the end, he’s not the lion of a man he was at one time;
however, he doesn’t seem to have learned much of anything either. Maybe,
I don’t understand his humor (his racist/anti-semitic playfulness that Pauline
merely ignores or his complicated almost cruel relationship with Xeno); maybe,
I don’t understand him, period. Either way, I feel like Leo just didn’t
develop as a character and he didn’t learn from his mistakes. He was too stubborn to accept Perdita as his
daughter, too jealous to accept that his wife wasn’t sleeping with his best
friend, and simply too cruel. I mean, he doesn’t even bother to contact
his wife—the woman he supposedly loves beyond comprehension—after their world
is torn asunder and he doesn’t bother to seek out his daughter, if he ever even
accepts that she’s his.
I much preferred Shep. Like Leo, Shep is grieving and
hurt by the “anonymous always-in-motion world,” but he doesn’t let it hollow
him out, turn him into a raving madman or a violent, vindictive father.
He lets Perdita into his life, unlike Leo, and he lets love back into his
life. He doesn’t cast it aside, and he doesn’t try to ruin lives because
he’s hurt. He makes an effort to change his life; he makes an effort to
be kind. I can’t help thinking Perdita
got a much better deal when she wound up in his care.
Additionally, I feel like I should point out that I didn’t
really understand The Gap of
Time. It just didn’t strike the right note with me, so to speak, and
it didn’t appeal to me on an emotional level, because I didn’t understand the
characters—that is, I couldn’t connect with them. Much of Winterson’s
novel is told in this odd, almost meandering verse that is part omniscient,
omnipresent narration and part stream-of-consciousness monologuing.
It actually reminded me a lot of The Sound in the Fury, in that
I didn’t quite understand it either. Not only does it hopscotch through
time, it utilizes a style of writing that makes it difficult to read. It
feels scattered, unhinged, especially when Leo is involved. I couldn’t
stand when Leo was involved, I couldn’t stand his jealous rantings or his
madman-like ravings. It made the story difficult to stomach and
altogether too brutal.
Overall, I had a hard time understanding and connecting to
Winterson’s novel. It made me squirm, but it didn’t make me think.
It made me feel sympathy for Perdita, for Hermione (MiMi) and their
shared plight, but it didn’t make me feel sorry that Perdita was ripped from
her home and given a parent who loved her with the unbounded, unconditional
love that a parent feels for their offspring.
It made me feel revulsion, but it didn’t make me feel joy,
which I found very disappointing.
(Note: This is another of the Hogarth Shakespeare books which has contemporary authors re-imagining the plays.)
No comments:
Post a Comment