Reviewed by Ambrea
Nimona
is a shapeshifter, and she’s just volunteered to act as Lord Ballister
Blackheart’s new assistant. As the
assistant to the kingdom’s foremost supervillain, Nimona is excited for all the
new opportunities for mayhem that are coming her way—and she’s ready to wreak
some havoc. But Ballister has a
plan. He has revenge on his mind and he
has one goal: prove to the kingdom that
Sir Ambrosius Goldenloin and the Institution of Law Enforcement and Heroics are
as corrupt as he knows they are.
As
Nimona and Ballister begin their campaign against the Institution, fighting
against a system that keeps them trapped in the same old roles, Ballister
begins to see Nimona not only as an invaluable sidekick but as a friend. But as their small acts of mischief, bank
robbery, and general Robin Hood antics evolve into vicious clashes with
Goldenloin and the Institution, Ballister discovers a side to Nimona he didn’t
expect—and he’ll have to make a choice between the kingdom that spurned him and
the sidekick who’s become his closest friend.
Nimona
is absolutely brilliant. I initially
started reading it several months ago when it was still available as a webcomic
on Noelle Stevenson’s website; however, I couldn’t wait to get a copy of Nimona in print. And I’m glad I did, because I’ve enjoyed it
so much. (So far, I’ve managed to read
it three times—and I find there’s always something new and wonderful to
discover about it.)
Much
like Stevenson’s most recent endeavor, Lumberjanes,
Nimona is a quirk adventure story
that’s full of lovable characters and a spectacular story. Combining familiar tropes from fantasy and
science fiction, Nimona mixes
together dark magic, knights, mages, jousts and dragons with incredible
futuristic technology (think touchscreens, holographic images, and other
fantastical forms of science). It’s a
strange amalgamation of the ancient, the modern, and the futuristic that works
well together, creating a graphic novel that draws on a variety of different
myths and stories and ideals.
Although
the art style is a little peculiar if not a little rough, I have to say I loved
the gradual progression of Stevenson’s art as Nimona came into its own. There’s
a discernible shift in the creator’s art style as she developed the story and
her characters. For instance, I liked
how Nimona changed over the course of the story, how her appearance changed and
evolved to reflect her emotions, thoughts, or feelings. She was rarely the same from one chapter to
the next (which I can mostly attribute to her shapeshifting abilities), and
she’s a dynamic character with a lot of attitude and a slightly caustic sense
of humor. She has a mysterious past, but
she has a heart of gold and a sense of loyalty to her friends, like Ballister.
I
grew to love her.
And
I loved seeing her interact with Ballister.
Ambrosius and Ballister have a complicated relationship to say the
least, but Ballister and Nimona’s relationship seems almost carefree by
comparison. Granted, Nimona’s past comes
back to haunt her and pretty much destroys her friendship with Ballister, but
there’s a kinship there that’s enjoyable to see. I liked their bantering back and forth, their
father-daughter dynamic as they worried about one another, arguing and
bickering like a parent and child are wont to do. It’s a nice friendship that they develop,
which I really liked.
Nimona,
however, is not a lighthearted story. It
introduces readers to some very deep, thought-provoking subjects and it
confronts several very intense themes as the story progresses. Despite its deceptively simple art style, Nimona is a complex and incredibly
thoughtful book. It takes a long hard
look at the roles of good and evil, dealing with the meaning of right and wrong
and how politics can sometimes get in the way of morality; it deals with
interpersonal relationships, both platonic and romantic, and one’s sense of
belonging; it confronts personal trauma, growth, and what it really means to be
good or evil—and what a person is willing to do to save the people they love. It has an underlying political and social
complexity that’s easy to miss, but it doesn’t shy away from the hard topics.
A
mad adventure involving science and sharks—and explosions and dragons and
nemeses, and so much more—Nimona is,
as a blurb from the cover suggests, a “brilliantly subversive, sharply
irreverent epic” that’s sure to tickle any readers’ fancy. It’s heartbreaking, it’s fun and raucous,
it’s irreverent and thoughtful and strange, but it’s an incredible book all the
same and I highly recommend it to readers both young and old and in between.
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