Reviewed by Ambrea
Jane Jameson is just an average,
everyday nice girl. She works her tail
off as a children’s librarian, she loves small, fluffy animals, and she adores
Southern food. But when her horrible
boss fires her and hands her a gift card to a local bar, rather than a
severance check, Jane decides she doesn’t want to be a nice girl anymore. Her day just couldn’t get any worse—until,
not surprisingly, it does.
Mistaken for a deer, shot, and
left for dead on the side of the road, Jane wakes up with a terrible hangover
and an unexpected thirst for blood.
Thanks to a stranger she met at the bar—after buying potato skins and
chugging neon cocktails—she’s now part of the Undead community. For better or worse, her life is changed forever. With her recently deceased aunt as a ghostly
roommate and a series of vampire murders inexplicably connected to her, she
decides it’s definitely time to stop being such a nice girl if she wants to
survive this ordeal.
I enjoyed Nice Girls Don’t
Have Fangs pretty well. I like that
it had a sassy, self-sufficient female lead.
I mean, how can I not like her?
She’s a librarian, for crying out loud, and she’s a genuinely nice (and,
dare I say it, funny) narrator. I was
perpetually intrigued by what would happen next—and I couldn’t wait to see the
author’s take on vampires as they come out into the open and try to live
normal, fulfilling lives.
Yes, I realize this idea has
been used before—Sookie Stackhouse, anyone?—but I actually enjoyed Molly Harper’s
novel a little better than Charlaine Harris’ series. Perhaps that’s blasphemy, considering the
outrageous popularity that True Blood found on HBO; however, there’s something
about Harper’s style of writing and Jane Jameson’s character that I simply found
more appealing.
Jane is a little more fleshed
out than the more popular Sookie Stackhouse, I thought, and she strikes me as
being a lot brighter if a little clumsier.
Sookie struck me as too perfect, self-deprecating and unrealistic with
her heavy, affected Southern accent; Jane is clumsy and, one might say, goofy,
but she’s equally intelligent and, while she has an intense love of Southern
food and makes note of her accent, it isn’t forced. Her character seems more natural.
And I liked her better for it.
Admittedly, I will say it isn’t
a great story. I mean, it has a
decent plot and enjoyable characters, but I wasn’t thrilled or holding on to
the edge of my seat the entire time. It
was fun while it lasted—and I certainly liked that Harper played with the
vampire myth a little more, utilizing both traditional and pop culture ideals;
however, I wasn’t smitten with the series.
I could keep reading it, but it’s sort of a paperback guilty pleasure: lots of fun, good characters, just not a
whole lot of substance.
Overall, Nice Girls Don’t
Have Fangs was an enjoyable book.
It’s a short, quick read, which I finished within a matter of hours, and
it’s a short series that builds on the local vampire population without
overwhelming me with information—or, more importantly, confusing me with all
the vampire rules. I was able to
comprehend and enjoy the story without feeling like I was missing something.
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