Sandra Brown Delivers a "Smash Cut!"

Reviewed by Doris

John Sandford does it with his Prey series of thriller mysteries. Thomas Harris does it with Hannibal Lector and Red Dragon. Sandra Brown does it in Smash Cut, her newest novel. What do they do? Create a villain who makes my skin crawl and the hair on my neck stand up. And you don’t even have to wait for the end of this book to know you have a sociopath at the center of the plot—he’s right there in the opening pages. A smash cut in movie idiom occurs without warning in the middle of one scene and transitions abruptly to another scene. It is used to startle the audience. Brown uses the same technique in her writing, and Smash Cut is one of her best outings.

Sandra Brown is very popular for her romantic, contemporary crime thrillers. Like Nora Roberts and a dozen other writers she has a sexy, handsome guy; the sassy, smart, beautiful woman; and, a mystery that brings them together. There’s sex, there’s conflict between them, and then everyone lives happily ever after. What sets Brown apart from her colleagues is her ability to lay down a plot. They are taut, never ordinary, and in Smash Cut, she throws in some stunning twists. Her characters also set her apart: they are rarely the clichés often used in contemporary thrillers.

The opening is a murder that occurs in an elevator in an Atlanta luxury hotel. Paul Wheeler is a powerful CEO who meets a young woman every week at the hotel. As they are leaving, a gunman enters their crowded elevator, demands money and jewelry from everyone, and then shots Wheeler in the head. When the doors open onto the lobby, the killer calmly walks away from the ensuing chaos. Robbery soon appears less a motive than a hit. Who wanted Paul Wheeler dead? Who is the young woman with whom he seems to be having a long term affair? Why does Paul’s brother Doug hire the best defense attorney in Atlanta “just in case,” and why does he think his son Creighton will need to talk to the attorney immediately?

Derek Mitchell is the hottest lawyer in town. He agrees to talk to Creighton Wheeler about his Uncle Paul’s death, but Creighton has an ironclad alibi so why does he need a lawyer? Julie Rutledge is cultured, sophisticated, and beautiful, and she was devoted to Paul Wheeler. She is convinced Creighton Wheeler—handsome, rich, obsessed with films, and very used to having his own way—killed his uncle. She is also lying about too many things, and Derek needs to know why.

Lots of questions and Brown lays down her plot fast and furiously as she answers them. Just when you think you have all the answers, she smacks you awake with another twist. I never expected the last one in this book, but it made for a very satisfying conclusion.

*Warning: As an animal lover I found a brutal detail of this plot very unsettling. I understand why the incident was there to move the characters and plot, but it was painful, and, from my perspective, not necessary.

Smash Cut by Sandra Brown is available at Main and Avoca. Main also holds a large print copy. If you don't find a copy on the shelf, we can reserve one for you.