Reviewed by Jeanne
Agatha Christie has to be one of the best-known authors in the
world. Her first novel, The
Mysterious Affair at Styles, came out in 1920 and her books have been in
demand ever since. Numerous movies, TV
shows, and plays have been based on her works, including the 2023 movie “A
Haunting in Venice” with Kenneth Branagh as Hercule Poirot.
But what of the author herself? There have been numerous biographies of Dame
Agatha and even a few fictional treatments, most revolving around her 1926
disappearance. The lady herself
continues to intrigue, as evidenced by the best-seller status of this
book—helped along, no doubt, by the prominence of the author.
Lucy Worlsey is a historian known for her interesting
documentaries which run on PBS such as “Royal Secrets” or “12 Days of Tudor
Christmas.” For me, it’s her background
as a historian which makes this biography of Christie stand out. She views Christie as a product of her times,
and backs it up with references from her many novels.
Agatha was born in 1890, at the end of the Victorian era, to
an American father and an English mother, and was the youngest of their three
children. While the family had been
upper middle class, financial problems arose: servants had to be let go, and
there wasn’t even enough money for Agatha to have a proper debut. When she was
24, she married an artillery officer who was home on leave from fighting in
France during World War I.
After the war, they set up housekeeping in London. Society was
undergoing a lot of changes: think Downton Abbey or Upstairs Downstairs. Agatha
gave birth to a daughter, which she found almost bewildering. Fortunately,
there was a nanny to take care of the child, while the Christies tried to find ways
to make ends meet. One of those ways was for Agatha to try her hand at writing
a mystery.
One book led to another, and soon Agatha was in demand as an
author of mysteries. Unfortunately,
there were troubles in her marriage: Archie was spending a lot of time away
from home. It’s debated how much Agatha suspected, but in August 1926, Archie
asked for a divorce, having been carrying on an affair with Nancy Neely, a
woman Agatha knew.
The result was that Agatha went missing. Search parties spent days looking for the
famous author, finding only her abandoned car.
There were even dark suspicions that she might have met with foul
play. When she turned up at a spa,
registered under the name of Neely, speculation was rampant. Was she trying to frame her husband for
murder? Did she have amnesia? Was it all a huge publicity stunt?
Worsley believes the explanation has already been given by
Agatha herself and puts forth her own interpretation of the event, which I
found plausible. Again, part of the understanding depends on knowing the time
period.
The book continues with the rest of Agatha’s life, including her
second marriage to a much younger man, her relationship with her daughter and
grandson, and of course her writing. I
liked that Worsley didn’t feel as if this one incident defined Mrs. Christie
(as she continued to be known, despite divorce and remarriage) and wanted to
show the whole of her life.
The tone is conversational and light. A great deal of research has gone into the
book, including reading personal letters for background. (One such gives lie to Agatha’s stance that
she wrote her second novel only to help out with the household expenses, but
Worsley explains that, given the times and Agatha’s upbringing, she would have
felt obliged to have an excuse for doing something outside of being a housewife—which
is what she continued to list as her occupation. That, or “married woman.”) I also like that
Worsley touches on some of the events or persons in her life that made their
way into her fiction. I very much want
to re-read some of the books now.
If you are looking for scandal, this isn’t going to be the
book for you. If, on the other hand, you’re interested in one of the most
influential mystery writers of all time, by all means give it a try.